Electronic Imaging & the Visual Arts. Eva 2003 Florence 

Vito CAPPELLINI, James HEMSLEY, Gerd STANKE (editors)

2003, 248 pagine, formato 17x24 cm, € 22.00
ISBN 88-371-1391-9

Collana: "Atti dei Congressi"

Index: EACH-European Agency for Cultural Heritage. Web archiving. DIS (Digital Image System) technology and its applications to digital archives. The international dimension of the IST programme. Mobile fruition of the informative multimedia system at Istituto e Museo di Storia della Scienza. Evolution of the european tourism market. Renaissance project: an example of ICT applied to cultural heritage. Creation, storage and retrieval of 3D cultural objects in sculpteur. The mesmuses experience: knowledge representation in scientific museums. A new challenging opportunity and a potential business for the institution. CHIMER-Cultural heritage application for 3G environment developed by european children. The MINERVA project - The future of digitisation of the cultural heritage. Trading of cultural rich media through the clustering of openheritage and regnet projects. EmarCon, electronic maritime cultural content. Alternative realities: a new approach to virtual reality art. Arpheus: on line Alinari photographic (heritage) archive for european educational system. A reference reflectance spectra data base for the optical identification of pigments. A natural viewing system of oil painting for digital museum. Design of a location-aware system for supporting marble museum visitors. Computer vision based natural interaction for cultural heritage. Sensitive painting. New visual technologies for the performing arts: virtual set for opera, visual classical concert, virtual "painting" of historical buildings. Wish you were usable!-How ti improve the quality of a museum web site. Transforming content for hybrid media. Making interactive guides more attractive. Hearts and minds-Intellectual access in museum & galleries. The HELP project for blind people. Archaeology museums & 3D in the 21^st century. Open archeo: an information system for archaeological data management-Recent developments and future aims. In duty for valueable cultural heritage: 3D measurement and reverse engineering technologies. Reverse engineering the greek mask: 3D imaging and performance research. Hypermedia, virtual heritage: the Scrovegni Chapel's project. Carpiniana: a virtualized byzantine crypt. 3D acquisition of Donatello's Maddalena: protocols, good practices and benchmarking. International standards for cultural heritage contents. Copyright protection of digital images of cultural heritage - Case study: Ulysses, the official web portal of the hellenic culture. IPRs protection for digitized historical documents. Some issues on 3D watermarking. TIC, heritage and museums - OLIBA research. Museolog: a collection management & portal tool for museums. Employment and use of digital media in a virtual museum. From a constrained present to a ubiquitous future: envisioning the evolution path for mobile graphical communications. Representing history in photography: the austrian image-archive. Aided virtual recomposition of fragmented frescos. Issues in user experience design when delivering synchronized rich opera media. Kidai shoran. A virtual reality application for cultural assets: the sholars point of view. MUSICNETWORK: to bring music industry into the interactive multimedia age. Mariinsky theatre: experience of musical heritage preservation.